Craig Kalpakjian Biography-
One Person Exhibitions:
|
2004 |
Galerie Edward Mitterand,
Geneva. |
|
2004
|
If You See Something, Say
Something, Gallery 2, Andrea Rosen Gallery,
New York. |
|
2004
|
M-Projects, Paris. |
|
2002
|
Andrea Rosen Gallery, New
York. |
|
2000
|
Robert Miller Gallery, New
York. |
|
1999
|
Gallerie Nelson, Paris Photo,
Paris. |
|
1998
|
Robert Miller Gallery, New
York. |
|
1997
|
Gallerie Nelson, Paris. |
|
1995
|
Gallerie Analix - B & L Polla,
Geneva. |
|
1990
|
Magnascanner 3000,
Project Room, Paula Allen Gallery, New York. |
Selected Group Exhibitions:
|
|
2007
|
The Happiness of Objects,
The Sculpture Center, New York. |
|
2007
|
Bring The War Home,
organized by Drew Heitzer, Elizabeth Dee Gallery, New
York, and QED, Los Angeles. |
|
2006
|
Slow Burn, curated by
Jonah Freeman, Galerie Edward Mitterand, Geneva. |
|
2006
|
Middle Ground Photography
from the Whitney Museum of American Art, Miriam & Ira D.
Wallach Art Gallery, Columbia University, New York. |
|
2005
|
Vanishing Point, The
Wexner Center For The Arts, Columbus, Ohio. |
|
2005
|
The Elated Pedestrian,
Champion Fine Art, Los Angeles. |
|
2005
|
Out of Place, The UBS
Art Gallery, New York. |
|
2004
|
Photography Reborn,
Ramapo College, New Jersey. |
|
2004
|
Villette Numerique 2004,
Parc De La Villette, Paris. |
|
2003
|
Filme: Sarah Morris,
Darren Almond, Paul Morrison, Craig Kalpakjian, Haluk
Akakçe,
Galerie Max Hetzler, Berlin. |
|
2003
|
Nown, curated by
Michele Thursz, Wood Street Galleries, Pittsburgh. |
|
2003
|
The Affair is Over:
photography by gallery artists, Andrea Rosen
Gallery, New York. |
|
2002
|
Visions from America:
Photographs from the Whitney Museum of American Art,
1940-2001,
Whitney Museum of American Art, New York. |
|
2002
|
Out of Site, The New
Museum of Contemporary Art, New York. |
|
2002
|
Situated Realities,
Maryland Institute College of Art, Baltimore.
|
|
2001
|
Bitstreams, Whitney
Museum of American Art, New York. |
|
2001
|
010101: Art In Technological
Times, San Francisco Museum of Modern Art,
SanFrancisco. |
|
2000
|
Scanner, Curated by
Larry Rinder, CCAC Institute, California College of Arts
and Crafts. |
|
2000
|
Dusk, Curated by David
Hunt, I-20 Gallery, New York. |
|
2000
|
NYC Projects, Delfina
Gallery, London. |
|
2000
|
Architectural Constructs in
Contompotrary Photography, Julie Saul Gallery,
New York |
|
2000
|
The Constructed Real,
Elias Fine Art, Boston. |
|
1998
|
Architecture & Inside,
Paul Morris Gallery, New York. |
|
1998
|
Odyssey, Greene
Naftali Gallery, New York. |
|
1998
|
About Painting, Part One,
Robert Miller Gallery, New York. |
|
1997
|
Photography from the
Beginning, Robert Miller Gallery, New York. |
|
1996
|
Space, Mind, Place,
Andrea Rosen Gallery, New York;
curated by John Connelly and Michelle Reyes. |
|
1996
|
Can You Digit?, Postmasters Gallery, New
York. |
|
1996
|
Urban Structures,
Munich Kunsthalle, Munich; organized by Matthias Held. |
|
1995
|
The National Security State,
Steffany Martz, New York; curated by Max Estinger. |
|
1995
|
Derek Jarman, Craig Kalpakjian,
Julia Sher, Andrea Rosen Gallery, New York. |
|
1994
|
The Ecstasy of Limits,
Gallery 400,
School of Art and Design, The University of Illinois at
Chicago. |
|
1994
|
Flesh and Ciphers,
HERE Center for the Arts, New York. |
|
1994
|
R.A.S., Gallerie
Analix - B & L Polla, Geneva, Switzerland;
organized by Gianni Romano. |
|
1994
|
Susan Etkin, Michael Jenkins,
Craig Kalpakjian, Charles Long, Donna Moylan,
Gallery Lok, New York; Organized by Alexander Berscheid
& Jade Dellinger. |
|
1993
|
Artists "Select",
Artists Space, New York. |
|
1993
|
Back Room, Natalie
Rivera, New York. |
|
1992
|
The Real Thing, New
York; organized by Erik Oppenheim. |
|
1992
|
The Rope Show, Artists
Space, New York. |
|
1992
|
Ecstasy, Dooley Le
Cappellaine, New York. |
|
1992
|
Beyond Glory: Re-presenting
Terrorism,
The Maryland Institute College of Art, Baltimore,
Maryland. |
|
1991
|
Value, Dooley Le
Cappellaine, New York. |
|
1991
|
Certain Uncertainty,
The Lobby Gallery, Deutsche Bank, New York;
Curated by Kenny Schachter and Sandra Gering. |
|
1991
|
Decorous Beliefs, Natalie Rivera, New
York; Curated by Kenny Schachter. |
|
1991
|
The Third Rail, John
Post Lee, Inc., New York; Curated by Karin Bravin. |
|
1991
|
Devon Dikeou, Graham Durward,
Craig Kalpakjian,
Paula Allen Gallery, New York. |
|
1991
|
Brut 90, White
Columns, New York. |
|
1990
|
The New Eccentricity:
Sculpture, Bess Cutler Gallery, New York;
Curated by Frederieke Taylor. |
|
1990
|
Societal Images, White
Columns, New York. |
|
1989
|
American Fine Arts, Co., Colin De
Land Fine Art, New York. |
Exhibitions Curated:
|
|
2005
|
The Feraliminal Lycanthropizer,
Champion Fine Art, Los Angeles. |
|
1992
|
E.S.P., Dooley Le
Cappellaine, New York. |
|
1992
|
Stand-Ins, Four Walls
at P.S. 1 (Seven Rooms, Seven Shows), The
Institute for Contemportary Art, P.S. 1 Museum, New
York. |
Selected Bibliography:
|
- 2004
-
Issue Magazine, Fall, 2004, April 1,
2002; "Manifesto", by Sara Gavlak; pp. 18-19, ill.
- 2003
- Subjective Realities; Works from the Refco
Collection of Contemporary Photography; The
Refco Group, New York and Chicago; pp. 2-3, 148-149,
ill.
- 2003
- Digital Art, by Christine Paul;
Thames & Hudson; London; p. 42, ill.
- 2002
- Visions from America; Photography from the
Whitney Museum of American Art 1940-2001;
Prestel Verlag; Munich, London, New York; p. 207,
ill.
- 2002
- Architecture; June, 2002; Volume
91, Number 06; "View", p. 128, ill.
- 2002
- Trace; No. 36; "InSight: 20
Artists On The Rise" by Carmen Zita; p. 59, ill.
- 2002
-
Artnet.com magazine, April 1, 2002; "Shoegazer",
by Michael Rossi; Features, ill.
- 2002
-
Time Out New York; April 18-25, 2002,
Issue No. 342; "Space is the place: Craig Kalpakjian
finds virtue in virtual reality" by Tim Griffin;
Reviews, Art, p. 61, ill.
- 2001
-
"Super-Cannes," by J. G. Ballard;
Picador USA; New York; Jacket Illustration.
- 2001
-
Vogue Hommes International, Fall-Winter,
2001-2002; "Fictional Space;" by Aaron Betsky; pp.
140-141, ill.
- 2001
-
arText, August-October, 2001; "Thin
Film: translucency and transparency in contemporary
art;" by Tim Griffin; pp. 66-73, ill.
- 2001
-
Financial Times, March 31 / April 1,
2001; "Virtual corridors of power;" by Ralph Rugoff;
FT Weekend, p. VI, ill.
- 2001
-
Visionaire 34, 2001; "Paris;" Ed. by
Hedi Slimaine for Dior Homme; ill.
- 2000
- The New York Times Magazine;
December 3, 2000; "Secrets" (special issue); cover
ill., ill. p. 77.
- 2000
-
Frieze; November-December 2000, Issue
55; "Craig Kalpakjian, Robert Miller Gallery, New
York" by David Hunt; Back, ill. p. 105
- 2000
-
Modern Painters; Autumn 2000, Volume
13: No. 3; "The Disappearance of the Human: Craig
Kalpakjian's virtual neo-reality" by Jason Oddy;
ill. pp. 52-53
- 2000
- Art Monthly; September 2000, No.
239; "New York Projects" by Laura Moffatt;
Exhibitions, pp. 48-49
- 2000
- Tate, The Art Magazine; Summer
2000, Issue 22; "Urbane Sprawl" by Aaron Betsky;
ill. pp.30-35
- 2000
-
The Thing; thing.reviews,
6/8/2000; "Trompe l'oeil for the Twenty-First
Century: Craig Kalpakjian at Robert Miller" by Brian
Boucher; Ill.
- 2000
- Time Out New York; June 1-8, 2000,
Issue No. 245; "Craig Kalpakjian" by Tim Griffin;
Reviews, Art, p. 91
- 1998
-
"Louse," by David Grand; Arcade
Publishing; New York; Jacket Illustration.
- 1998
-
Visionaire 24, 1998; "Light;" Ed. by Tom
Ford for Gucci; ill.
- 1998
-
2wice Visual/Culture/Document;
"Interiors," Vol 1: No 2; "Adjoining Rooms: Craig
Kalpakjian and Richard Barnes;" ill. pp. 36-45.
- 1998
-
The Thing; thing.reviews, 4/5/98;
"Craig Kalpakjian at Robert Miller Gallery" by Diane
Ludin; Ill.
- 1998
- Time Out New York; March 26-April
2, 1998, issue No. 131; "Craig Kalpakjian" by Bill
Arning; Reviews, Art, p. 45.
- 1998
- The Village Voice; March 24, 1998,
Vol. XLII, No. 12; "Short List."
- 1997
- The New York Times; New York,
Friday, January 31, 1997, Vol. CXLVI, No. 50,689;
Photography Review, "200 Images Leisurely Chatting;"
p. C27.
- 1996
- Time Out New York; July 31-August
7, 1996, issue 45; "Space, Mind, Place" by Bill
Arning; Reviews, Art; p. 28.
- 1995
- Flash Art; October 1995; Reviews;
ill. p. 119.
- 1994
- "Violent Persuasions: The Politics and
Imagery of Terrorism"; Ed. by David J. Brown
and Robert Merrill; Bay Press; Seattle; ill. p. 69.
- 1993
- temporale RIVISTA D'ARTE E DI CULTURA;
n.31 - 1993; "In and out Liquid Architectures
(through a few objects)", Gianni Romano; ill. p.36.
- 1993
- Zoom; September/October 1993;
"Investigations"; ill. p. 10.
- 1992
- Arts Magazine; Feburary, 1992;
"New York in Review."
- 1991
- The Village Voice; July 9, 1991,
Vol. XXXVI, No. 28; "Choices."
- 1991
- The Village Voice; July 2, 1991,
Vol. XXXVI, No. 27; "Choices."
- 1990
- The New Yorker; February 5, 1990;
"Goings on About Town."
|
Selected Collections:
- The Art Institute of Chicago
- Stafford Broumand, New York
- La Caisse des dépôts et consignations, Paris
- Century America, Chicago
- Frances Dittmer, New York
- Yvonne Force & Leo Villareal, New York
- Tom Ford & Richard Buckley, Santa Fe, New Mexico
- Jane Furse & John Friedman, New York
- Piervittorio Leopardi, Rome
- Group Lhoist Collection, Belgium
- The Metropolitan Museum of Art, New York
- The Whitney Museum of American Art, New York
- The New Museum of Contemporary Art, New York
- Sara Wittenborn Miller, New York
- The Pullman Group, New York
- Olivier Renaud-Clémont, New York
- Andrea Rosen, New York
- Sebastian Sainsbury, London
- The San Francisco Museum of Modern Art
- Kenny Schachter & Ilona Rich, New York
- Hedi Slimane, Paris
SOURCE:
http://www.kalpakjian.com/bio.html
ARTIST'S HOMEPAGE |