ARTIST NAME: Michael Craig-Martin Find
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Auction Results and Indebt Information on Michael Craig-Martin Art
2004 |
"Michael Craig-Martin:
Surfacing," Milton Keynes Gallery, UK "Deconstructing Piero Deconstructing Seurat Folio" Alan Cristea Gallery, London, UK "ARP-CRAIG-MARTIN-ARP 11 reliefs/11 paintings/11 sculptures" Arp Museum, Remagen, Germany |
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2003 |
"Workplace," Galerie
Judin, Zurich. "Michael Craig-Martin," Gallery Seomi, Korea. "Eye of the Storm," Gagosian Gallery, New York. |
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2002 |
"Inhale/exhale,"
Manchester Art Gallery (site specific installation). |
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2001 |
"Landscapes," Douglas
Hyde Gallery, Dublin (site specific installation). "Living," Sintra Museum of Modern Art, Berardo Collection, Portugal. |
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2000 |
"Conference,"
Waddington Galleries, London. "Michael Craig-Martin," IVAM, Valencia, Spain (site specific installation). "Full/empty," fig-1, London. |
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1999 |
"Michael Craig-Martin:
And sometimes a cigar is just a cigar," Wurttembergischer Kunstverein,
Stuttgart (site specific installation). "ModernStarts: Things," Museum of Modern Art, New York (site specific installation). "Common History", Peter Blum Gallery, New York. |
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1998 |
"Michael Craig-Martin:
Always Now", Kunstverein, Hannover (site specific installation). "Michael Craig-Martin", British Pavilion, Ibirapuera park, 24th International Bienal of Sao Paolo (site specific installation). Mario Diacono Gallery, Boston. |
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1997 |
"Innocence and
experience", Waddington Galleries, London. "Michael Craig-Martin: Prints", Alan Cristea Gallery, London. "Michael Craig-Martin", Galerie Der Spiegel, Cologne. "Michael Craig-Martin und Raymond Pettibon", Kunstverein f¸r die Rheinlande, Dusseldorf (site specific installation). |
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1995 |
Museum of Contemporary
Art, Chicago (site specific installation) |
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1994 |
"Private space, public
space," Centre Georges Pompidou, Paris (site specific installation). "Wall paintings at the Villa Herbst," Museum Sztuki, Lodz, Poland (site specific installation). "An oak tree", Galeria Foksal, Warsaw. |
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1993 |
"Accommodating,"
British School at Rome (site specific installation). Galerie Claudine Papillon, Paris (site specific installation). "At Home," Waddington Galleries, London. |
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1992 |
Waddington Galleries,
London. |
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1991 |
"Projects 27", Museum
of Modern Art, New York (site specific installation). David Nolan Gallery, New York. "Michael Craig-Martin," Musee des Beaux-Arts, Andre Malraux, Le Havre. |
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1990 |
Galerie Claudine
Papillon, Paris. |
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1989 |
"Michael Craig-Martin:
A retrospective 1968-1989," Whitechapel Art Gallery, London. |
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1988 |
Waddington Galleries,
London. |
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1985 |
Waddington Galleries,
London. |
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1982 |
Fifth Triennale India,
New Delhi. Waddington Galleries, London. |
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1981 |
Galerija Suvremene
Umjetnosti, Zagreb. |
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1980 |
Galeria Bama, Paris. |
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1979 |
Galeria Foksal, Warsaw. Galeria Akumlatory, Poznan, Poland. Oliver Dowling Gallery, Dublin. |
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1978 |
Galerie December,
Dusseldorf. "Michael Craig-Martin: 10 works 1970-77", Institute of Modern Art, Brisbane; Touring Australia. |
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1977 |
Oliver Dowling Gallery,
Dublin. |
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1976 |
"Michael Craig-Martin:
Selected Works 1966-1975", Turnpike Gallery, Leigh, touring Britain. |
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1974 |
Galerie December,
M¸nster. |
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1971 |
Arnolfini Gallery,
Bristol. Richard Demarco gallery, Edinburgh. |
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1969 |
Rowan Gallery, London
(also 1970, 1972, 1973, 1974, 1975, 1976, 1978, 1980). |
Selected Group Exhibitions:
2004 |
'Drawings,' Gagosian
Gallery, London. 'Summer Exhibition' Royal Academy of Art, London 'A vision of Modern Art in memory of Dorothy Walker' Irish Museum of Modern Art 'Joyce in Art' Royal Hibernian Academy, Dublin |
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2003-4 |
'100 Artists see God'
Independent Curators International |
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2002 |
'Passenger,' Astrup
Fearnley Museum, Oslo. 'Blast to Freeze,' British Art in the 20th Century, Kunstmuseum, Wolfsburg. |
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2001 |
Lux Gallery, London. Yale School of Art and Architecture, New Haven. |
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2000 |
'Voilá le Monde dans la
tête,' Musée d'Art Moderne de la Ville de Paris, Paris. 'Shifting ground,' Irish Museum of Modern Art, Dublin. Drawings 2000, Barbara Gladstone Gallery, New York. Drawings & Photographs, Matthew Marks Gallery, New York. |
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2000 |
'Live in your head,'
Whitechapel Art Gallery, London, touring to Museo do Chiado, Lisbon
(2001). 'Intelligence, New British Art 2000,' Tate Britain, London (site specific installation). 'Die scheinbaren Dinge,' Haus der Kunst, Munich (site specific installation). |
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1998 |
Jardin d'artiste,'
Musée Zadkine, Paris. 'Up to 2000,' Southampton City Art Gallery. 'Cluster Bomb,' Morrison Judd, London. |
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1998 |
'Elegant Austerity,'
Waddington Galleries, London. |
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1997 |
'Treasure Island,'
Calouste Gulbenkian Foundation, Lisbon. 'Follow Me: British Art on the Lower Elbe,' organised by landschaftsverband Stade, Buxtehude Museum, Germany (site specific installation). 'Love Hotel,' organised by National Gallery of Australia; touring Australia. |
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1996 |
'Un siècle de sculpture
Anglaise,' Galerie Nationale du Jeu de Paume, Paris. |
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1995 |
'The Adventure of
Painting,' curated by Martin Hentschel and Raimund Stecker, Kunstverein,
Dusseldorf and Kunstverein, Stuttgart (site specific installations).
'Drawing the line: reassessing drawing past and present', selected by
Michael Craig-Martin, South Bank Centre exhibition, Southampton City Art
Gallery and touring. '1:1 Wandmalerei: wall drawings and wall
paintings,' Kunstlerwerkstat, Munich (site specific installation). |
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1994 |
'Wall to Wall,'
Serpentine Gallery, London (site specific installation). |
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1993 |
'Cut of sight, out of
mind,' Lisson Gallery, London. 'Here and Now,' Serpentine Gallery, London. |
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1991 |
'Objects for the Ideal
Home: The Legacy of Pop Art', Serpentine Gallery, London. |
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1990 |
'The Readymade
Boomerang,' curated by Rene Block, Sydney Biennale, Sydney. |
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1989 |
'Sculpture,' Six
Friedrich Gallery, Munich. 'Michael Craig-Martin, Grenville Davey, Julian Opie,' Lia Rumma Gallery, Naples. |
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1988 |
'Starlit Waters:
British Sculpture, on International Art 1968-1988,'Tate Gallery,
Liverpool. 'Britannica: Treinte Ans de Sculpture,' Musée des Beaux-Arts, Andre Malraux, Le Havre; touring France and to Museum Van Hedendaagse Kunst, Antwerp. 'That Which Appears Is Good, That Which Is Good Appears,' Tanja Grunert Gallery, Cologne. |
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1987 |
'Vessel,' Serpentine
Gallery, London. 'Wall Works,' Cornerhouse Gallery, Manchester. |
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1986 |
'Entre el Objeto y la
Imagen - Escultura britanica contemporanea,' Palacio Velazquez, Madrid;
touring to Barcelona and Bilbao. |
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1984 |
'1965-1972 - when
attitude became form,' Kettle's Yard Gallery, Cambridge and Fruitmarket
Gallery, Edinburgh. |
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1983 |
'New Art,' Tate
Gallery, London. |
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1982 |
'Aspects of British Art
Today,' Metropolitan Art Museum, Tokyo; touring Japan. |
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1981 |
'Malmoe,' Konsthall,
Malmo, Sweden. 'Construction in Process,' Lodz, Poland. 'British Sculpture in the 20th Century,' Whitechapel Art Gallery, London. |
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1980 |
'ROSC,' University
College Gallery and National Gallery of Ireland, Dublin. |
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1979 |
'JP II,' Palais des
Beaux-Arts, Brussels, in collaboration with the British Council. |
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1979 |
'Un Certain Art
Anglais,' Musee d'Art Moderne de to Ville de Paris; organised by ARC II
and the British Council. |
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1978 |
'The Garden,' Jardin
botanique National; organised by Musees Royaux des Beaux-Arts de
Belgique, Brussels. |
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1977 |
'Documenta VI,' Kassel,
West Germany. 'Hayward Annual: Current British Art Part II,' Hayward Gallery, London. |
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1976 |
'Sydney Biennale,' Art
Gallery of New South Wales, Sydney. |
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1976 |
'Art as Thought
Process,' XI Biennale International d'Art, Palais d'Europe, Menton. |
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1975 |
'IX Biennale des Jeunes
Artistes,' Paris. 'Contemporary British Drawings,'. XIII Biennial of Sao Paulo. 'Britanniasta 75,' Helsingin Taidehalli, Helsinki; touring Finland. |
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1974 |
'Idea and Image in
Recent Art,' Art Institute of Chicago. 'Art as Thought Process,' Serpentine Gallery, London. |
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1973 |
'11 British Artists,'
Staatlichen Kunsthalle, Baden-Baden; touring to Kunsthalle, Bremen. 'Henry Moore to Gilbert & George,' Palais des Beaux-Arts, Brussels. |
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1972 |
'7 Exhibitions,' Tate
Gallery, London. 'The New Art,' Hayward Gallery, London. |
Selected Commissions:
2002 |
Williams-Sonoma
Corporation Headquarters, San Francisco (painting on canvas). Norddeutsche Landesbank Headquarters, Hannover (wall painting) architects: Behnisch, Behnisch and Partner) Laban Dance Centre London, artist consultant to architects Herzog & deMeuron and site specific installation (large scale digitally produced image an vinyl). Regent's Place, British Land Developments, London, large scale digitally produced image on vinyl in light box (architects: Sheppard Robson). 'Modern Painters', image for magazine cover and 8 page curated section, March issue. Manchester Art Gallery, Installation commissioned to mark the reopening of Manchester Art Gallery. Ernst & Young, London |
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2001 |
Landeszentralbank, Gera
(wall paintings) (architects: David Chipperfield). BBC, London, 'Coloured TV' digital artwork (screensaver). |
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2000 |
British Embassy, Moscow
(painting on canvas) (architects: Ahrends Burton). British Council Building, Berlin (ceiling painting) (architects: Sauerbruck Hutton). Royal Mail - design of Millenium commemorative postage stamp (theme: right to health). Glasgow Collection (Design Museum) commission to design a piece of furniture: 'Sofa/bed/table/desk/shelving. 'Ivy Restaurant, London, design of stained glass windows and exterior clock. Museum of Modern Art, New York, digital artwork (screensaver). Museum of Modern Art, New York, special millennium poster. |
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1999 |
ABN Ambro Headquarters,
Amsterdam (wall painting) (architects: I.M. Pei). Milton Keynes Theatre and Milton Keynes Gallery (metal relief). Thames & Hudson, Publishers London (temporary installation). Swiss Light, Tate Modern (collaboration with architects Herzog & deMeuron). |
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1998 |
Mark Baldwin Dance
Company, costume design for M-Piece, Queen Elizabeth Hall, London. EU Council meeting, Lancaster House, London (temporary installation). Millennium Dome Commission, proposal for site specific sculpture. |
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1997 |
Jigsaw, New Bond
Street, London (temporary installation) Mark Baldwin Dance Company,
costume design for Samples, Queen Elizabeth HaII, London and touring. |
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1994 |
Tokyo International
Exhibition Center, Tokyo (wall painting). |
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1992 |
Morgan-Stanley
International, Canary Wharf, London (4-part circular wall drawing). Ballet Rambert, set and costume design for Gone choreographed by Mark Baldwin, premiered at Royal Northern College of music, Manchester. |
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1990 |
Rosehaugh Stanhope
Investments PLC for Broadgate, London, (large scale drawings in gold
leaf on glass, two windows). |
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1988 |
Hasbro-Bradley U-K.
Ltd., Stockley Park, Middlesex (wall painting). |
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1984 |
Colchester District
General Hospital, Essex (wall painting). |
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1983 |
Midland Bank, New York
(painted canvas and metal reliefs). |
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1975 |
Margate District
Council (neon drawing). |
Selected Public Collections:
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Allen Art Museum,
Oberlin College, Ohio Arts Council of Great Britain Australian National Gallery, Canberra Baltimore Museum of Art Basildon Arts Trust Bayerische Staatsbibliothek, Munich Bibliotheque Nationale, Paris British Council The British Library Contemporary Art Society, London Contemporary Art Society for Wales Ferens Art Gallery, Hull Fitzwilliam Museum, Cambridge FRAC Nord Pas de Calais Government Art Collection Haags Gemeentemuseum, Gravenhage, The Netherlands Havard University Art Museums Irish Museum of Modern Art, Dublin Kresge Art Museum, Michigan State University Manchester City Art Gallery Musée des Beaux-Arts, Andre Malraux, Le Havre Museum of Modern Art, New York The New York Public Library Queensland Art Gallery, Australia Reina Sofia, Madrid, Spain Sintra Museum of Modern Art, Portugal - The Berardo Collection Southampton City Art Gallery Swindon Art Gallery Tate Gallery, London Ulster Museum, Belfast Victoria & Albert Museum, London Walker Art Gallery, Liverpool The New York Public Library Yale Center for British Art, Connecticut |
Courtesy: michaelcraig-martin.com
Michael Craig-Martin Books