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1954 |
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Born in Glen Ridge New Jersey |
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1976 |
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B.A. from State University College at Buffalo, New York
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National Endowment for the Arts, 1977 |
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John Simon Guggenheim Memorial Fellowship, 1983
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Skowhegan Medal for Photography, Maine, 1989 |
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Larry Aldrich Foundation Award, Connecticut, 1993
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John D. and Catherine T. MacArthur Foundation, 1995
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Wolfgang-Hahn-Preis (Gesellschaft fur Moderne Kunst am Museum
Ludwig), 1997 |
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Goslar Kaierring Prize, 1999 |
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The Hasselblad Foundation, 2000 |
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Selected Museum and Public Collections:
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Albright-Knox Art Gallery, Buffalo |
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Art Gallery of New South Wales, Sydney |
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Art Gallery of Ontario, Toronto |
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Australian National Gallery, Canberra |
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Carnegie Museum of Art, Pittsburgh |
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Centre Georges Pompidou, Paris |
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Centro de Arte Reina Sofia, Madrid |
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Corcoran Gallery of Art, Washington D.C. |
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Dallas Museum of Fine Arts |
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Hamburger Bahnhof Museum fur Gegenwart, Berlin
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Israeli Museum, Jerusalem |
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Kunsthalle Hamburg, Germany |
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Kunstmuseum Wolfsburg, Germany |
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Los Angeles County Museum of Art |
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Louisiana Museum, Humlebaek, Denmark |
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Metropolitan Museum of Art, New York |
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Moderna Museet, Stockholm |
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Modern Art Museum of Fort Worth, Texas |
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Musée d'art Contemporain, Montréal |
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Museum Boymans-van Beuningen, Rotterdam |
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Museum des 20, Jahrhunderts, Vienna |
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Museum Folkwang, Essen, Germany |
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Museum of Art, Carnegie Institute, Pittsburgh
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Museum of Contemporary Art, Chicago |
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Museum of Contemporary Art, Helsinki |
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Museum of Contemporary Art, Los Angeles |
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Museum of Contemporary Art, Luxembourg |
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Museum of Fine Arts, Boston |
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Museum of Fine Arts, Houston |
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Museum of Modern Art, New York |
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Museum of Modern Art, Oslo |
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New Britain Museum of American Art, New Britain, Conneticut
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Philadelphia Museum of Art |
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Rijksmuseum Kroller-Muller, Otterlo, Holland |
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San Francisco Museum of Modern Art |
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Solomon R. Guggenheim Museum, New York |
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Sprengel Museum, Hannover |
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Staatsgalerie Stuttgart, Germany |
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Stedelijk Museum, Amsterdam |
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Tamayo Museum, Mexico City |
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Tokyo Metropolitan Museum of Photography |
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Victoria and Albert Museum, London |
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Wadsworth Atheneum, Hartford |
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Walker Art Center, Minneapolis |
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Whitney Museum of American Art, New York |
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2007 |
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“Bus Riders”, Barbara Krakow Gallery, Boston, USA (solo)
“A Play of Selves”, Galerie Monika Sprüth Philomene Magers,
London (solo)
“Faces”, Cook Fine Art, New York
“Imagination becomes Reality. Werke aus der Sammlung Goetz”, ZKM,
Karlsruhe
“Held together with Water. Kunst aus der Sammlung Verbund”,
Museum für Angewandte Kunst, Wien
“What does the Jellyfish want?”, Museum Ludwig Köln/Cologne
“There is never a stop and never a finish”, Hamburger Bahnhof,
Berlin
“Cindy Sherman. Retrospektive”, Jeu de Paume, Paris; Kunsthaus
Bregenz; Louisiana Museum of Modern Art, Humlebaek; Martin-Gropius-Bau,
Berlin (solo) |
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2006 |
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“Anos 80: Uma Topologia”, Museu Serralves, Porto
“Das Achte Feld. Geschlechter, Leben und Begehren in der Kunst
seit 1960”, Museum Ludwig, Köln
“Surprise, Surprise“, Institute of Contemporary Arts, London
“Eros in der Kunst der Moderne”, Fondation Beyeler, Riehen/Basel,
Schweiz
“The Other Side”, Tony Shafrazi Gallery, New York
“Memento Mori”, Mireille Mosler Ltd., New York
“Into Me / Out of Me”, Kunstwerke Berlin |
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2005 - 2006 |
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“Faites vos jeux! Kunst und Spiel seit Dada”, Kunstmuseum
Liechtenstein, Vaduz; Akademie der Künste, Berlin; Museum für
Gegenwartskunst, Siegen |
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2005 |
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“Cindy Sherman”, Galerie du Chateau d’Eau, Toulouse (solo)
“Self Performance. Jürgen Klauke und Cindy Sherman”, Neues
Museum Weimar (solo) |
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2004 |
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“Cindy Sherman. Clowns”, Kestner Gesellschaft, Hannover (solo)
“Cindy Sherman”, Metro Pictures, New York (solo)
“Fashioning Fiction – In Photographing Since 1990,” Museum of
Modern Art, New York (cat.) “La Grande Parade – Portrait de
L’artiste en Clown,” Galeries nationals du Grand Palais, Paris;
national Gallery of Canada, Ottawa
“The Unseen Cindy Sherman - Early Transformations 1975/1976,”
Montclair Art Museum, Montclair, New Jersey (cat.) (solo)
“Enthüllt. Das Aktbild in der Fotokunst des 20. Jahrhunderts”,
Städtische Museen Heilbronn
“The Last Picture Show”, Fotomuseum Winterthur
“Faces in the Crowd”, Whitechapel Art Gallery, London
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2003 |
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“Cindy Sherman, Centerfolds, 1981,” Skarstedt Fine Art, New York
“Cindy Sherman,” Serpentine Gallery, London; Scottish National
Gallery of Modern Art, Edinburgh (solo) |
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2003 |
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“Pletskud,” Arken Museum for Moderne Kunst, Skøvej, Germany “The
Last Picture Show: Artists Using Photography 1960-1982,” Walker
Art Center, Minneapolis, MN; UCLA Hammer Museum, Los Angeles, CA
(cat.) “Artist’s Choice: Mona Hatoum, Here Is Elsewhere,” Museum
of Modern Art, New York |
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2002 |
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"Tableaux Vivants," Kunsthalle Wien, Vienna (cat.) "Hautnah- The
Goetz Collection," Museum Villa Stuck, Munich (cat.) "Moving
Pictures," Solomon R. Guggenhein Museum, New York "Ahead of the
21st Century– The Pisces Collection," Fürstenberg Sammlungen,
Donaueschingen, Germany (cat.) “Visions from America:
Photographs from the Whitney Museum of American Art,” Whitney
Museum of American Art, New York (cat.) “Life, Death, Love,
Hate, Pleasure, Pain,” Museum of Contemporary Art, Chicago
(cat.) |
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2001 |
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“Double Life,” Generali Foundation, Vienna, Austria (cat.)
“Jasper Johns to Jeff Koons: Four Decades of Art from the Broad
Collections,” Los Angeles County Museum of Art (cat.); Museum of
Fine Arts, Boston (2002) “ABBILD: Recent Portraiture and
Depiction,” Landesmuseum Joanneum, Graz, Austria (cat.)
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2001 |
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“Cindy Sherman: Early Works,” Studio Guenzani, Milan “Cindy
Sherman,” Nikolaj Copenhagen Contemporary Art Center,
Copenhagen, Denmark (solo) |
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2000 |
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Hasselblad Center, Goteburg, Sweden Gagosian Gallery, Los
Angeles Galería Juana de Aizpuru, Madrid greengrassi, London
(solo) |
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2000 |
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Let's Entertain," Walker Art Center, Minneapolis, (cat.); Centre
Georges Pompidou, Paris; Portland Art Musuem, Oregon; Museo
Rufino Tamayo, Mexico City, Mexico (cat.); Kunstmuseum
Wolfsburg, Wolfsburg, Germany (2001); Miami Art Museum, Miami
(2001) “Open Ends,” Museum of Modern Art, New York “Hyper
Mental,” Kunsthaus Zürich (November 17, 2000- January 21, 2001);
Hamburger Kunsthalle (February 16- May 6, 2001) (cat.)
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1999 |
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"Gesammelte Werke 1: Zeitgenössische Kunst seit 1968,"
Kunstmuseum, Wolfsburg "Notorious," Museum of Modern Art, Oxford
"The American Century," Whitney Museum of American Art, New York
(cat.) "Inverted Odysseys," Grey Art Gallery, New York (cat.)
"The Century of the Body: Photoworks 1900-2000," Musée de
l'Elysée, Lisbon "Triennale Exhibition: Sentiment of the Year
2000," Triennale di Milano, Milan "Regarding Beauty," Hirshhorn
Museum, Washington, D.C. (cat.) |
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1998 |
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“Mirror Images: Women, Surrealism and Self-Representation,” MIT
List Center, Cambridge, Massachussettes; Miami Art Museum; San
Francisco Museum of Modern Art |
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1998 |
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“Allegories,” Seattle Art Museum, Washington (cat.) (solo)
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1997 |
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"Cindy Sherman: The Complete Untitled Film Stills," Museum of
Modern Art, New York “Cindy Sherman: A Selection From the Eli
Broad Foundation’s Collection,” Museo de Bellas Artes, Caracas,
Venezuela (cat.) "Cindy Sherman: Retrospective," Museum of
Contemporary Art, Los Angeles; Museum of Contemporary Art,
Chicago; Galerie Rudolfinum, Prague; capc Musée, Bordeaux;
Museum of Contemporary Art, Sydney; Art Gallery of Ontario,
Toronto (1997-2000) "Cindy Sherman," Museum Ludwig, Cologne
(cat.) (solo) |
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1997 |
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"Gender Performnce in Photography," Solomon R. Guggenheim
Museum, New York (cat.) "On the Edge: Contemporary Art from the
Werner and Elaine Dannheisser Collection," The Museum of Modern
Art, New York (cat.) "Von Beuys bis Cindy Sherman Sammlung
Lothar Schirmer," Kunsthalle, Bremen (cat.) |
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1996 |
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"L'Informe: le Modernisme a Rebours," Centre Georges Pompidou,
Musée National d'Art Moderne, Paris (cat.) "Hall of Mirrors: Art
and Film Since 1945," The Museum of Contemporary Art, Los
Angeles; The Wexner Center for the Arts, Columbus, Ohio; Palazzo
delle Esposizioni, Rome; The Museum of Contemporary Art, Chicago
(cat.) Biennale di Firenze, Florence, Italy (cat.)
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1996 |
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"Cindy Sherman," Museum Boymans-van Beuningen, Rotterdam; Museo
Nacional Centro de Arte Reina Sofia, Madrid; Sala de
Exposiciones REKALDE, Bilbao; Staatliche Kunsthalle, Baden-Baden
(cat.) "Cindy Sherman," Museum of Modern Art, Shiga, Japan;
Marugame Genichiro-Inokuma Museum of Contemporary Art, Marugame,
Japan; Museum of Contemporary Art, Tokyo (cat.) "Metamorphosis:
Cindy Sherman Photographs," The Cleveland Museum of Art,
Cleveland (solo) |
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1995 |
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"Directions: Cindy Sherman-Film Stills," Hirshhorn Museum,
Washington, D.C. (brochure) "Cindy Sherman Photographien
1975-1995," Deichtorhallen Hamburg; Malmo Kunsthall, Sweden;
Kunstmuseum Luzerne, Switzerland (cat.) "Cindy Sherman," Museu
de Arte Moderna de Sao Paulo, Brazil (cat.) (solo)
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1995 |
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"Projections," Ydessa Hendeles Art Foundation, Toronto "1995
Biennial Exhibition," Whitney Museum of American Art, New York
(cat.) "Zeichen & Wunder," Kunsthaus Zurich, Switzerland (cat.)
"XLVI Esposizione Internazionale d'Arte 1995," La Biennale di
Venezia, Venice (cat.) "FeminiMasculin: Le Sexe de l'Art?,"
Centre Georges Pompidou, Musée d'Art Moderne, Paris (cat.) "1995
Carnegie International," The Carnegie Museum of Art, Pittsburgh
(cat.) |
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1994 |
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"Cindy Sherman," ACC Galerie Weimar, Germany (cat.) "Cindy
Sherman," Manchester City Art Gallery "Cindy Sherman," The Irish
Museum of Modern Art, Dublin (cat.) (solo) |
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1993 |
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Tel Aviv Museum of Art (solo) |
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1992 |
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Museo de Monterrey, Mexico (cat.) (solo) |
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1991 |
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"Cindy Sherman," Basel Kunsthalle, Switzerland; Staatsgalerie
Moderner Kunst, Munich; The Whitechapel Gallery, London (cat.)
Milwaukee Art Museum; Center for the Fine Arts, Miami; The
Walker Art Center, Minneapolis (broch.) (solo)
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1990 |
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Padiglione d'arte Contemporanea, Milan (cat.) University Art
Museum, University of California, Berkeley (solo)
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1989 |
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National Art Gallery, Wellington, New Zealand; Waikato Museum of
Art and History, New Zealand (cat.) (solo) |
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1987 |
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Whitney Museum of American Art, New York; The Institute of
Contemporary Art, Boston; The Dallas Museum of Art (cat.) (solo)
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1985 |
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Westfalischer Kunstverein, Munster, West Germany (cat.) (solo)
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1984 |
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"Cindy Sherman," Akron Art Museum; Institute of Contemporary
Art, Philadelphia; Museum of Art, Carnegie Institute,
Pittsburgh, Pennsylvania; Des Moines Art Center; The Baltimore
Museum of Art (cat.) Monika Sprüth Galerie, Cologne (and 1988,
1990, 1992, 1995, 1999) (solo) |
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1983 |
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Musee d'Art et d'Industrie de Saint Etienne, France (cat.) The
St. Louis Art Museum, Missouri (broch.) (solo)
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1982 |
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Cindy Sherman,’ The Stedelijk Museum, Amsterdam; Bristol,
England; John Hansard Gallery, University of Southampton,
England; Palais Stutterheim Gewad, Ghent, Belgium; Watershed
Gallery,, Erlangen, West Germany; Haus am Waldsee, West Berlin;
Centre d'Art Contemporain,Geneva; Sonja Henie-Niels Onstadt
Foundation, Copenhagen; Louisiana Museum, Humlebaek, Denmark
(catalogue)
‘Documenta 7,’ Kassel, West Germany (cat.)
‘Eight Artists: The Anxious Edge,’ Walker Art Center,
Minneapolis, Minnesota (cat.) |
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1980 |
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Contemporary Arts Museum, Houston (brochure)
Metro Pictures, New York (and 1981, 1982, 1983, 1985, 1987,
1989, 1990, 1992, 1995, 1996, 1998, 1999, 2000)
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2007 |
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“Cindy Sherman im Kunsthaus”, in: Kunst Bulletin, Nr.1/2, 2007,
S. 68 |
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2006 |
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Almuth Spiegler, ”Die analytische Anziehpuppe. Eine Wander-Retrospektive
zur amerikanischen |
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2006 |
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Katrin Wittneven, ”Cindy Shermans Frauenrollen im Kunsthaus
Bregenz”, monopol, Dezember 2006, S. 114 |
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2006 |
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“Ich war der Duft des Monats. Cindy Sherman stellt in Bregenz
aus – und spricht über Schönheitswahn, Perversionen und Clowns”,
Interview mit/with Eva Karcher, Süddeutsche Zeitung, Nr. 285,
11. Dezember 2006, S. 12 |
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2006 |
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“Seelische Abgründe. Maske und Fratze”, in: Annabelle, Dezember
2006, S. 50 |
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2006 |
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Anja Lösel, “Lust auf Schock und Grusel, in: Stern, Nr. 49/2006,
S. 226-227 |
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2001 |
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Cheryl Caplan, “Cindy Sherman,” Tema Celeste, January–February,
pp. 91 |
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2001 |
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Edward Leffingwell, “Cindy Sherman at Metro Pictures,” Art in
America, June, pp. 126 |
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2000 |
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Cindy Sherman, ed. by Gunilla Knape, Hasselblad Center,
Goteborg, Sweden |
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2000 |
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David Pagel, "Sherman is the Very Picture of How Others Fall
Short," Los Angeles Times, April 14, pp. F22 |
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2000 |
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Inverted Odysseys, Claude Calhoun, Maya Deren, Cindy Sherman, ed
by Shelley Rice, Massachussetts Institute of Technology, Grey
Art Gallery; New York University; Museuem of Contemporary Art,
North Miami |
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2000 |
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Calvin Tompkins, “Her Secret Identities,” The New Yorker, May,
pp. 74-83 |
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2000 |
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Charles Gandee, “Women on the Verge,” Talk, May, pp. 46
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2000 |
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Early Work of Cindy Sherman, foreword by Edsel Williams, Glenn
Horowitz Bookseller, New York |
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2000 |
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Éva Forgács, "Cindy Sherman," Art issues, September/ October,
pp. 46 |
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2000 |
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Wayne Koestenbaum, “Fall Gals,” Artforum, September, pp. 148-51
(and cover) |
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2000 |
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Vince Aletti, “The Lady Vanishes,” Village Voice, November 21,
pp. 85 |
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2000 |
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Michael Kimmelman, “Cindy Sherman,” The New York Times, November
24, pp. E36 |
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2000 |
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Linda Yablonsky, “Vanity Fare,” Time Out New York, Nov 30-Dec 7,
pp. 91 |
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2000 |
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Modern Contemporary: Art at MoMA Since 1980, Kirk Varnedoe,
Paola Antonelli, Joshua Siegel (ed.), Museum of Modern Art, New
York, pp. 2, 3, 4, 5, 6, 41, 230, 347 |
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2000 |
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Hyper Mental, Kunsthaus Zürich/ Hamburger Kunsthalle, Germany,
pp. 101 |
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1999 |
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Peter Schjeldahl, "Valley of the Dolls," The New Yorker, June 7,
pp. 94-5 |
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1999 |
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Lilly Wei, "Cindy Sherman: Metro Pictures," Artnews, September,
pp. 147 |
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1999 |
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Brook S. Mason, "Sherman's March," Artnews, September, pp. 72
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1999 |
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Mark Van Proyen, "Cindy Sherman," New Art Observer, October, pp.
46 |
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1999 |
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Jutta Koether, "Old Witnesses," Camera Austria, #67, pp. 18-29
(and cover illustration) |
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1999 |
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Barbara Pollack, "The 10 Best Living Artists: Self-Denial,"
Artnews, Dec., pp. 146 |
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1999 |
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Dave Hickey, "Best of the '90s," Artforum, December, pp. 112-3
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1999 |
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Janet Kraynak, "Cindy Sherman at Metro Pictures," Documents,
Fall, pp. 54-8 |
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1998 |
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Claire Carolin, “Cindy Sherman: History Portraits,” Contemporary
Visual Arts, issue 17, pp. 75 |
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1998 |
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R. Forgáes, “Cindy Sherman,” Art Issues, Jan/Feb, pp. 48
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1998 |
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Miranda Sawyer, "The Invisible Woman," The Observer (Life
weekend segment), England, pp. 14-9 |
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1998 |
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“200 Women Legends, Leaders and Trailblazers,” Vanity Fair,
Nov., pp. 250 |
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1997 |
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Phoebe Hoban, "Sherman's March," Vogue, February, pp. 240-3,278
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1997 |
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Noriko Fuku, "A Woman of Parts," Art in America, June, pp.
74-81, 125 |
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1997 |
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Herbert Muschamp,"Knowing Looks," Artforum, Summer, pp. 106-11
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1997 |
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Peter Plagens, "The Odd Allure of Movies Never Made," Newsweek,
June 30, pp. 74-5 |
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1997 |
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Mark Stevens, "Performance Anxiety," New York, July 7, pp. 58-9
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1997 |
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Roberta Smith, "Film Starlet Clichés, Genuine and Artificial at
the Same Time, The New York Times (Arts segment), June 27, pp.
C23 |
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1997 |
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Cindy Sherman: Retrospective, essays by Amanda Cruz, Amelia
Jones, Elizabeth A.T. Smith, Museum of Contemporary Art, Los
Angeles; Museum of Contemporary Art, Chicago |
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1997 |
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Katharina Schmidt & Marc Scheps, Cindy Sherman, Museum Ludwig,
Cologne |
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1997 |
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Christopher Knight, "Camera Ready," Los Angeles Times, November
2, pp. 5, 92 |
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1997 |
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Roberta Smith, "A Horror Movie, Complete with Zombies," The New
York Times, November 30, pp. 41 |
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1997 |
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Andrew Johnston, "Office Killer," Time Out, December 4-11, pp.
83 |
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1997 |
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John Anderson, "Office Killer Takes Aim at Horror Genre," The
Los Angeles Times, December 5 |
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1997 |
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Cindy Sherman: A Selection From the Eli Broad Foundation’s
Collection, essays by Frederica Palomero & Joanne Heyler, Museo
de Bellas Artes, Caracas, Venezuela |
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