was born 1938,
Bronxville, N.Y.
Brice Marden was born October 15, 1938, in Bronxville, New York. He
attended Florida Southern College, Lakeland, from 1957 to
1958 and the Boston University School of Fine and Applied
Arts from 1958 to 1961, when he received his B.F.A. degree.
In the summer of 1961, he attended Yale Norfolk Summer
School of Music and Art in Norfolk, Connecticut, and went on
to enroll at the Yale University School of Art and
Architecture, New Haven, receiving an M.F.A. degree in 1963.
It was at Yale that Marden developed the formal
strategies that characterized his paintings of the following
decades: a preoccupation with rectangular formats and the
repeated use of a muted, extremely individualized palette.
He has described his early works as highly emotional and
subjective, despite their apparent lack of referentiality.
In the summer of 1963, Marden moved to New York with his
wife, Pauline Baez, whom he had married in 1960, and with
whom he had a son, Nicholas. They later divorced and he
married Helen Harrington in 1969. He worked as a guard in
1963 and 1964 at the Jewish Museum, where he came into
contact with the work of Jasper Johns, an artist whom he
studied in depth and whose work furthered his interest in
gridded compositions.
Marden made his first monochromatic single-panel painting
in the winter of 1964. It was during this time that his
first solo exhibition was presented at the Wilcox Gallery,
Swarthmore College, Swarthmore, Pennsylvania. Marden spent
the spring and summer of 1964 in Paris, where he was
inspired by the work of Alberto Giacometti. His first solo
show in New York was held at the Bykert Gallery in 1966, and
in the fall of that year, he became the general assistant to
Robert Rauschenberg. In 1968, he began constructing his
paintings with multiple panels. From 1969 to 1974, he was a
painting instructor at the School of Visual Arts in New
York.
In 1972, his work was showcased at Documenta in
Kassel, and he was honored with a retrospective at the
Solomon R. Guggenheim Museum, New York, in 1975. A show of
drawings made between 1964 and 1974 traveled in 1974 to the
Contemporary Arts Museum, Houston; the Fort Worth Art
Museum; and the Minneapolis Institute of Arts. In 1977,
Marden traveled to Rome and Pompeii, where he strengthened
an interest in Roman and Greek art and architecture, which
would influence his work of the late 1970s and early 1980s.
In the mid-1980s, Marden turned away from
Minimalism toward gestural abstraction. Around
this time, Marden traveled to Thailand, where he became
interested in Far Eastern calligraphy and the art of the
brush stroke. During the 1990s, Marden has continued to
exhibit regularly in New York. He was the subject of two
major traveling shows, Brice Marden—Cold Mountain, at
the Dia Center for the Arts, New York; the Walker Art
Center, Minneapolis; the Menil Collection, Houston; Museo
Nacional Centro de Arte Reina Sofía, Madrid; and Kunstmuseum,
Bonn, in 1991 and 1992; and Work books 1965–1995,
which traveled in 1997–98 to the Staatliche Graphische
Sammlung, Munich; Kunstmuseum Winterthur, Switzerland;
Wexner Center for the Arts, Columbus, Ohio; and the Fogg Art
Museum, Harvard University, Cambridge, Massachusetts.